A Game of Chess

A Game of Chess

The Chair she sat in, like a burnished throne,

Glowed on the marble, where the glass

Held up by standards wrought with fruited vines

From which a golden Cupidon peeped out

(Another hid his eyes behind his wing)

Doubled the flames of sevenbranched candelabra

Reflecting light upon the table as

The glitter of her jewels rose to meet it,

From satin cases poured in rich profusion;

In vials of ivory and coloured glass

Unstoppered, lurked her strange synthetic perfumes,

Unguent, powdered, or liquid—troubled, confused

And drowned the sense in odours; stirred by the air

That freshened from the window, these ascended

In fattening the prolonged candle-flames,

Flung their smoke into the laquearia,

Stirring the pattern on the coffered ceiling.

Huge sea-wood fed with copper

Burned green and orange, framed by the coloured stone,

In which sad light a carvéd dolphin swam.

Above the antique mantel was displayed

As though a window gave upon the sylvan scene

The change of Philomel, by the barbarous king

So rudely forced; yet there the nightingale

Filled all the desert with inviolable voice

And still she cried, and still the world pursues,

‘Jug Jug’ to dirty ears.

And other withered stumps of time

Were told upon the walls; staring forms

Leaned out, leaning, hushing the room enclosed.

Footsteps shuffled on the stair.

Under the firelight, under the brush, her hair

Spread out in fiery points

Glowed into words, then would be savagely still.

‘My nerves are bad tonight. Yes, bad. Stay with me.

Speak to me. Why do you never speak. Speak.

What are you thinking of? What thinking? What?

I never know what you are thinking. Think.’

  I think we are in rats’ alley

Where the dead men lost their bones.

  ‘What is that noise?’

                          The wind under the door.

‘What is that noise now? What is the wind doing?’

                           Nothing again nothing.

                                                        ‘Do

‘You know nothing? Do you see nothing? Do you remember

‘Nothing?’

       I remember

Those are pearls that were his eyes.

‘Are you alive, or not? Is there nothing in your head?’    

                                                                           But

O O O O that Shakespeherian Rag—

It’s so elegant

So intelligent

‘What shall I do now? What shall I do?’

‘I shall rush out as I am, and walk the street

‘With my hair down, so. What shall we do tomorrow?

‘What shall we ever do?’

                                               The hot water at ten.

And if it rains, a closed car at four.

And we shall play a game of chess,

Pressing lidless eyes and waiting for a knock upon the door.

  When Lil’s husband got demobbed, I said—

I didn’t mince my words, I said to her myself,

HURRY UP PLEASE ITS TIME

Now Albert’s coming back, make yourself a bit smart.

He’ll want to know what you done with that money he gave you

To get yourself some teeth. He did, I was there.

You have them all out, Lil, and get a nice set,

He said, I swear, I can’t bear to look at you.

And no more can’t I, I said, and think of poor Albert,

He’s been in the army four years, he wants a good time,

And if you don’t give it him, there’s others will, I said.

Oh is there, she said. Something o’ that, I said.

Then I’ll know who to thank, she said, and give me a straight look.

HURRY UP PLEASE ITS TIME

If you don’t like it you can get on with it, I said.

Others can pick and choose if you can’t.

But if Albert makes off, it won’t be for lack of telling.

You ought to be ashamed, I said, to look so antique.

(And her only thirty-one.)

I can’t help it, she said, pulling a long face,

It’s them pills I took, to bring it off, she said.

(She’s had five already, and nearly died of young George.)

The chemist said it would be all right, but I’ve never been the same.

You are a proper fool, I said.

Well, if Albert won’t leave you alone, there it is, I said,

What you get married for if you don’t want children?

HURRY UP PLEASE ITS TIME

Well, that Sunday Albert was home, they had a hot gammon,

And they asked me in to dinner, to get the beauty of it hot—

HURRY UP PLEASE ITS TIME

HURRY UP PLEASE ITS TIME

Goonight Bill. Goonight Lou. Goonight May. Goonight.

Ta ta. Goonight. Goonight.

Good night, ladies, good night, sweet ladies, good night, good night.

Section III The Fire Sermon

A Game of Chess

My queen protects me

She moves every which way

She cannot castle Kings only

She can be sacrificed, replaced

And the game goes on

The pawns

To be sacrificed

Too many get in the way

The king wants some

 He cares for none

More than I imagined

The creek and the land never giving up

Changing course without changing destination

Building quiet places with

Air that breathes

Air better than any perfume

Never stale Never on sale

Never too sweet or too bitter

News of a Kidnapping

Doesn’t stop US

Light sparkles in the room

 littles laugh, spin, play chess

 elders stir and sift, chop, talk

Cinnamon, cardamon, chocolate, pecans

Ancestors, invisible, present, protecting

Loss wrapped in meaning

Ancestors adoring

Items so precious they incarnate

They survived even this

The littles not so little anymore

Upon your form, the lashes of the flowers

Responded to my touch,  

The murmur of streams 

Redirected with the hand placed rocks

Telling different dreams

She came back from Iraq, Camouflaged

Different, Quieter, Jumpier

Visions hallucinations of noise

No chance to buy the toys

They made the choice before she left

He lost his job for the fifth time

He blames her for all that happened

He met her off the plane

Teddy bear in hand

“Hey, I have a plan”

Ten months later

A child born The mother torn

Her name: Tirzah 

Sargent unable to leave army

 She needs The childcare

The only sinless intercourse

Is to produce children

Birth control is an act against

God and The Church

Then the Pill

The only medication

With no name and every name

The Pill

Less pregnancies Less children

Women going to work

Less children dying

Rare earth chemicals in demand

Up by 1 degree Goes the land

They began to speak

In a Different Voice

She lay completely naked on

The barren ground

One of millions

Legs spread with a grenade

Between her legs

Rape story so old so often told

And untold unable to send

Women and men made to bend

And break stay silent          rape

Coniraya and Cavillaca, Vilca perpetuate 

Guamansuri seduced Cautaguan pregnant,

The mother dies the nation thrives

Ometecuhtli/Omecihuati

Cipactli destroyed, universe  the new toy

Resting on the back of a turtle, Iroquois

Let’s face it

The gods got away with it

Sometimes chopped up or made to wander

Their offspring often rulers of heavens and earth

Time for a new birth before checkmate

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Autumn – On the Hudson River 1860. Cropsey, Jasper National Gallery

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